Face of Defense: Archaeologist Among ‘Lincoln’ Extras

> Subject: Face of Defense: Archaeologist Among ‘Lincoln’ Extras > Date: Fri, 16 Nov 2012 07:58:28 -0600
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> Face of Defense: Archaeologist Among ‘Lincoln’ Extras [ http://www.defense.gov/news/newsarticle.aspx?id=118566 ] 11/16/2012 07:27 AM CST >
> Face of Defense: Archaeologist Among ‘Lincoln’ Extras
> By Kathryn C. Weigel
> Fort Lee
> FORT LEE, Va., Nov. 16, 2012 – Bryce Stanley, an archeologist at the Regional Archaeological Curation Facility here, digs history — literally. >
> Click photo for screen-resolution image [ http://www.defense.gov/DODCMSShare/NewsStoryPhoto/2012-11/scr_121116-A-ZZ999-111.jpg ]”
> Bryce Stanley, archaeologist at the Regional Archaeological Curation Facility, Fort Lee, Va., holds a Civil War era bayonet that was found on post in 2007. As an extra in the movie “Lincoln,” Stanley carried a reproduction Springfield rifle and bayonet. U.S. Army photo by Kathryn C. Weigel”
> (Click photo for screen-resolution image);high-resolution image [ http://www.defense.gov/DODCMSShare/NewsStoryPhoto/2012-11/hrs_121116-A-ZZ999-111.jpg ] available. >
> So, it’s not surprising he was willing to take a few days off from his job in December to be an extra in “Lincoln,” Steven Spielberg’s new film. >
> “I saw the ad in the paper. They were still looking for extras,” Stanley said. So, he sent in the brief biography and photo requested. “They were looking for males with beards between the ages of 20 and 35. I sent in my information, and they got back with me.” >
> The Richmond, Va., native said he has never had an interest in acting, he has supported himself as a musician in Savannah, Ga. Stanley plays guitar and harmonica, writing much of the music he plays and sings. >
> After earning his bachelor’s and master’s degrees in archaeology at Georgia Southern University in Statesboro, Stanley had a variety of contract jobs in his field and pursued his music full-time before coming to the Fort Lee position about four years ago. >
> Stanley applied to be an extra to immerse himself in the Civil War era, he said. “It was a very interesting experience, but I learned more about movie-making,” he explained. >
> He got a close look at how “movie magic” can transform a place as well as people. >
> “It’s amazing what they did to downtown Petersburg,” Stanley said, noting that the Old Towne area took on the look and feel of 1865. >
> He was one of 40 to 50 extras who donned reproduction Union uniforms and overcoats and toted reproduction Springfield rifles for the scenes shot there. The makeup artists “made us look dirty,” he said. >
> One day, he said, the neckline of his 21st-century T-shirt was showing under his uniform. >
> “A girl came along and snip, snip, it was gone,” Stanley said, citing one example of the attention to detail he saw by Spielberg’s staff. Stanley even witnessed an argument over whether one set of suspenders fit the period. >
> Properly uniformed, Stanley worked one day on a street scene, crossing the street in front of Lincoln’s carriage and trying not to get hit by it. He also found himself standing beside actor Joseph Gordon-Levitt, who portrayed Robert Todd Lincoln, the president’s son. >
> “He was in his period clothes, and he pulled out his iPod and put his ear buds in” while waiting for instructions on what he was needed for next. >
> The life of an extra often is “hurry-up-and-wait,” Stanley said. Notified the day before about where to report for filming, Stanley and the others would show up around 5:30 or 6 a.m. for a morning shot. >
> “They feed you breakfast,” he said. “You get all of your paperwork done so you can be paid. Then you go to wardrobe and makeup. A lot of people are shouting and pushing you around, saying, ‘Go here. Go there.’ Then you basically sit around and wait for your scene. >
> “When your scene is called,” Stanley continued, “you are directed what to do. You may spend three, four or five hours on a scene that will take 30 seconds in the movie.” >
> Where the scene falls in the movie, and even whether it makes the final cut, remains a mystery until the film opens. >
> “Since you’re not the director and you don’t have an overall idea of the flow of the movie, you don’t know how your scene fits in,” Stanley said. >
> One scene he participated in was set in the old train station in Old Towne. Some Union soldiers were sitting around the telegraph, waiting for the results of a House of Representatives vote on a constitutional amendment to abolish slavery. >
> Stanley earned about $80 a day for the time he worked as an extra, and he gained a new perspective on movies. Besides being more aware of the time invested in making a film, Stanley said, he now pays close attention to the extras. He noted that moviegoers, if they watch closely, will realize a relatively small number of extras keep popping up in scenes throughout the film. >
> Extras sign nondisclosure forms and are forbidden to take photographs, Stanley said. >
> “One day, they got word that an extra had taken a picture of Daniel Day-Lewis,” he said. “They berated us for a good hour and then checked all the photos on every extra’s cell phone.” Stanley had previously taken a photo of himself in costume, and it was deleted. >
> Stanley said he thinks he would take part in another period movie if the opportunity arises. “It was cool getting dressed up like that and seeing how people lived back then,” he added. “It was really neat.” >
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